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hotjewishboyfriendzz:

Aww :( I really wanted 2 message him but I’m an ARAB and he’s the BEST :(((

awuh he’s so charming

okcgoldmine
"

And after all these years, the trans community is still at the back of the bus. I despise that. I’m hurt and get depressed a lot about it. But I will not give up because I won’t give the mainstream gay organizations the satisfaction of keeping us down. If we give up, they win. And we can’t allow them to win. The reason we, right now, as a trans community, don’t have the rights they have is that we allowed them to speak for us for so many damn years, and we bought everything they said to us: “Oh, let us pass our bill, then we’ll come for you.”

Yeah, come for me. Thirty-two years later and they’re still coming for me. And what have we got? Here, where it all started, trans people have got nothing. We can no longer let people like the Empire State Pride Agenda, the HRC in Washington, speak for us. And it really hurts me that some gay people don’t even know what we gave for their movement.

"

Sylvia Rivera in Genderqueer: Voices from Beyond the Binary (via queeraztlan)
Notes 564   
Filed under: a readrelevant
queeraztlan

theuppitynegras:

discourse between black people and whites

bonvoyagepussy

me n fifi on a romantik getawAy

weheartit.com

naomimandela:

Naomi Campbell letting her white maid wipe her tears

mgnvs
"

It is a problem when religious symbols become widespread and therefore lose their religious significance. But the fear of dilution isn’t really an issue here — the bindi has lost whatever religious significance it once had to Hindus some time ago, and is now used mostly for decoration. Madonna and Gwen Stefani didn’t turn the bindi into a fashion statement when they adopted it in the 90s — we desi women already did so years before that.

What makes the non-South Asian person’s use of the bindi problematic is the fact that a pop star like Selena Gomez wearing one is guaranteed to be better received than I would if I were to step out of the house rocking a dot on my forehead. On her, it’s a bold new look; on me, it’s a symbol of my failure to assimilate. On her, it’s unquestionably cool; on me, it’s yet another marker of my Otherness, another thing that makes me different from other American girls. If the use of the bindi by mainstream pop stars made it easier for South Asian women to wear it, I’d be all for its proliferation — but it doesn’t. They lend the bindi an aura of cool that a desi woman simply can’t compete with, often with the privilege of automatic acceptance in a society when many non-white women must fight for it.

I understand being a little flummoxed at the rage that the bindi issue inspires in our community. The anger always seems disproportionate to the crime. But will I celebrate the “mainstreaming” of a South Asian fashion item? Nope. Not when the mainstream doesn’t accept the people who created it.

"

Jaya Bedi, Beyond Bindis: Why Cultural Appropriation Matters, May 10, 2013 (via androphilia)
Notes 231   
Filed under: opa read
theaerogram.com